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  3. Jane Austen’ s relationship to Romanticism has long been a vexed one. Althou

Jane Austen’ s relationship to Romanticism has long been a vexed one. Althou

游客2025-02-19  24
问题     Jane Austen’ s relationship to Romanticism has long been a vexed one. Although her dates (1775-1817) place her squarely within the period, she traditionally has been studied apart from the male poets whose work defined British Romanticism for most of the twentieth century. In the past her novels were thought to follow an Augustan mode at odds with the Romantic ethos. Even with the advent of historicist and feminist criticism, which challenged many previous characterizations of Austen as detached from the major social, political and aesthetic currents of her time, she continued to be distinguished from her male contemporaries. Jerome McCann, for example, insists that Austen does not espouse the Romantic ideology. Anne Mellor declares that Austen, along with other “leading women intellectual and writers of the day” “did not”, participate in the Romantic “spirit of the age” but instead embraced an alternative ideology that Mellor labels “feminine Romanticism“，
    To be sure, some critics throughout the years have argued for Austen’s affinities with one or more of the male Romantic poets. A special issue of the Wordsworth Circle (Autumn 1976)was devoted to exploring connections between Austen and her male contemporaries. Clifford Siskin in his historicist study of Romanticism argued that Austen does participate in the same major innovation, the naturalization of belief in a developing self, as that characterized in Wordsworth’s poetry and other key works from the period. Recently, three books have appeared (by Clara Tuite, William Galperin, and William Deresiewicz) that in various ways treat Austen as a Romantic writer and together signal a shift in the tendency to segregate the major novelist of the age from the major poets.
    The present essay seeks to contribute to this goal of firmly integrating Austen within the Romantic movement and canon. It does so by pointing out affinities between Austen and a writer with whom she has not commonly been associated, John Keats. Most comparisons of Austen and the Romantic poets have focused on Wordsworth and Byron, whose works we know she read. Although Austen could not have read Keats’ s poems, which only began to appear in print during the last years of her life, and there is no evidence that Keats knew Austen’ s novels, a number of important similarities can be noted in these writers’ works that provide further evidence to link Austen with the Romantic movement, especially the period of second-generation Romanticism when all of her novels were published. [br] The primary purpose of the passage is to
选项 A、reconcile two competing positions in an ongoing critical debate
B、develop a counterargument against a recent interpretation of a writer’s work
C、provide support for a new approach to a writer’s work
D、illustrate the contradictions experienced by women writers during a certain period
E、explain a writer’s detachment from the major intellectual currents of a period
答案 C
解析 本文的重点是第三段的新观点，因此选项C正确。A项本文没有调和两个对立观点。B项文章支持了新的解读，没有反驳。D项women writers范围太大。E项major intellectual currents of a period对应浪漫主义，但是文章最终的结论是简.奥斯汀是浪漫主义的。因此detachment表述相反。
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