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What is the lecture mainly about? [br] What two keys to using the impasto techni
What is the lecture mainly about? [br] What two keys to using the impasto techni
游客
2025-02-04
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管理
问题
What is the lecture mainly about? [br] What two keys to using the impasto technique does the professor talk about? Choose 2 answers.
Listen to part of a lecture in a studio art class.
Professor:
Today we’re going to continue with oil painting, but in different styles you haven’t experienced. From now on, we’re going to learn about several different techniques, beginning with impasto. Basically, impasto is a thick application of pigment that makes no attempt to look smooth. Instead, brush and palette knife marks are visible on the finished painting.
Now, in general, when you work with oil, what you do is just apply one color over another and let the paint squish onto the canvas. And the painting surface remains quite flat. But, with impasto, mostly it involves loading up your brush or painter’s knife with more paint than you’d normally need. Then the three-dimensional paint appears to be coming out from the canvas. It’s sort of like… icing that covers a cake. Actually, when I saw a series of paintings done this way, I thought they were very convincing. They looked good enough to eat.
Anyway, one purpose of impastoed paint is to make a light reflection. Since the 15th century, impasto has initially been used. Artists controlled the play of light, creating a lot of visual space. The shadows underneath the paint showed folds in clothes and jewels their subjects wore. Impasto really made these features stand out.
But later, another effect of impasto was its ability to convey movement in the painting. And when you work with the technique, you should keep this in mind that the thicker the paint is, the more it gives physical movement. Let me hold Van Gogh up as an example.
Van Gogh, one of the post-impressionists during the 19th century, first used impasto for its expressive qualities. Look up at the screen here, and notice how the cypress trees and valleys are depicted by the thick texture. In this way, Van Gogh gave weight to the movement to his sky and landscape. You can almost feel the breeze on that day. Today’s painters use impasto for a different reason. Most current artists place more emphasis on the paintings’ surface, the texture on their art work than the display of colors and lines. Impasto allows them to blend the texture and feeling of an object without illustrating an actual perception of what they represent.
So, how can you create this texture? Well, it depends on the way you apply the paint on canvas. As I said earlier, instead of "dying" or "scrubbing" the canvas with small amounts of color, just let the paint squish onto the canvas and let it set there. I mean, you apply a massive amount of paint with any tools you find that gives the texture you want. Tools like a brush, a flexible palette knife, or even a toothbrush. After that, you mold or sculpt the paint with short brushstrokes, faster. You should be spontaneous, and dynamic just like Van Gogh.
选项
A、Applying a large amount of paint to a canvas
B、Pressing one layer of paint firmly into a canvas, then spreading more paint over the bottom layer
C、Painting over bottom layer
D、Applying paint to a canvas and then scrubbing it into the canvas
E、Manipulating the paint with quick movements
答案
A,E
解析
题目询问教授提到运用厚涂技巧的两个关键是什么。在讲座的最后,教授提到了如何运用厚涂技巧:一、用任何你能找到的工具去涂上大量的颜料,得到你想要的质感,对应A项“在画布上涂上大量的颜料”。二、用更快的速度、较短的笔触来塑造或雕刻这些颜料,对应E项“快速地处理颜料”。在讲到运用厚涂技巧的时候,教授只提到了A项和E项这两点,B项“将一层颜料牢固地压在画布上。然后在底层涂上更多的颜料”、C项“在底层上色”和D项“在画布上涂上颜料,然后把它擦进画布”均未被提及。
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