首页
登录
职称英语
McClary’s position, concerning the process by which music is gendere
McClary’s position, concerning the process by which music is gendere
游客
2025-02-22
9
管理
问题
McClary’s position, concerning the process by which music is gendered as
masculine or feminine, is that socially-grounded codes are "composed into" the
music, that they are immanent to the text, there to be discovered. McClary has
Line traced narratives of power and sexual differences in sonata forms by mapping
(5) the gendered terms in which theorists have described them onto pieces which
variously appear to enact or resist such constructions.
Rieger has likewise traced the inchoate differentiation of musical affects by
gendered characters in late-eighteenth-century opera, and charted their much
heightened divergence in contemporary film music. Both of these approaches
(10) share a common assumption of a degree of awareness of such gendered codes at
the point of composition, an awareness which, if not fully reflective, at least
shows a composer’s "practical consciousness" of how musical expression works
within his or her culture. This conception permits music to participate fully in
cultural processes, thereby allowing us to bring cultural contexts to bear in our
(15) explanatory models of musical styles and forms, but its critics rightly argue that
it carries an extreme risk: it is all too easy for this approach to re-inscribe the
values it would aim to critique. We may accuse McClary of adopting the very
stereotypes she deplores, and similarly we may regard her identification of
musical difference with cultural difference to be an over interpretation, though
(20) unless we limit our focus to some extreme of the avant-garde, we must concede
that some kind of contrast between masculinity and femininity will always exist
in any music.
It is perhaps best to argue the possibility that such gender metaphors are
merely functions of our interpretational frameworks, imposed on music from the
(25) outside. Treitler describes the way in which scholars from the eighteenth to the
twentieth centuries have differentiated between Old Roman and Gregorian chant
repertories in gendered terms, and argues that these metaphors relate entirely
to a project of Western cultural supremacy, and not to any immanent musical
characteristics of the actual chants. We may make the same point about all
(30) repertories: gender is encoded not in the music, but in the critical language we
use, much like Pigmalion’s chisel, to bring the music to life. While this
position is weaker than McClary’s in an explanatory capacity-it cannot use
social values to account for why a piece was written the way it was rather than
any other, aesthetically speaking-its value is ultimately greater in that it
(35) allows us to develop fresh listening strategies which invest familiar and well-
loved music with new and arguably more positive values. Hence, it is more
attractive for the development of a politically responsible critical strategy,
though even in this respect, the position is not without shortcomings, most of
which become apparent when we examine the relationship between musical
(40) material and cultural meaning. [br] The author considers the metaphors of masculinity and femininity we associate with certain pieces of music to be
选项
A、external to the music, imposed in most cases by the interpretational criteria of critics and listeners
B、interesting but unnecessary for the enjoyment of these pieces of music by most listeners
C、evidence that socially-grounded codes are composed into music, and not simply the product of interpretation
D、a means by which familiar and well-loved music can be invested with new and arguably more positive values
E、evidence for a fundamental difference between the music of the avant-garde and more traditional varieties
答案
A
解析
转载请注明原文地址:https://tihaiku.com/zcyy/3968451.html
相关试题推荐
McClary’sposition,concerningtheprocessbywhichmusicisgendere
McClary’sposition,concerningtheprocessbywhichmusicisgendere
McClary’sposition,concerningtheprocessbywhichmusicisgendere
McClary’sposition,concerningtheprocessbywhichmusicisgendere
Theprocessofnuclearfission______requirestheuseofareactorcore,aroundw
OBSTINACY:A、articulatenessB、impartialityC、obedienceD、generosityE、opposition
African-Americanfilmmakersshouldbeinanenviableposition,fors
African-Americanfilmmakersshouldbeinanenviableposition,fors
African-Americanfilmmakersshouldbeinanenviableposition,fors
Homeostasisreferstoanyprocess,suchasnegativefeedback,thatli
随机试题
Heis______drinker,whohasbeenimbibingforsolongthathehasfigurativelys
______isthestudyoflanguageinrelationtothemind.A、PsycholinguisticsB、Soc
GPSA)TheGlobalPositioningSystemisaspace-basedtriangulationsyste
Don’tworry,behappyand,accordingtoanewresearch,youwillalsobehe
______(她表现出了很强的自制力)whenshewastoldthesadnews.Shedisplayedgreatself-contr
简述弗里德曼对态度定义的成分。
直肠指检对下列哪种疾病的诊断价值不大()A.直肠癌 B.直肠肛周脓肿 C
?从所给的四个选项中,选择最合适的一个填在问号处,使之呈现一定的规律性:
共用题干 张某是甲房地产经纪机构(以下简称甲机构)的房地产经纪人,某日在互联网
(2019年真题)企业对其分类为投资性房地产的写字楼进行日常维护所发生的相关支出
最新回复
(
0
)