首页
登录
职称英语
In the late nineteenth century, art critics regarded seventeenth-century Dut
In the late nineteenth century, art critics regarded seventeenth-century Dut
游客
2025-02-19
22
管理
问题
In the late nineteenth century, art critics regarded seventeenth-century Dutch paintings as direct reflections of reality. The paintings were discussed as an index of the democracy of a society that chose to represent its classes, actions, and occupations exactly as they were; wide-ranging realism was seen as the great accomplishment of Dutch art. However, the achievement of more recent study of Dutch art has been the recovery of the fact that the “realistic” paintings are more than depictions of daily life. They are, of course that too, but it has now become clear that such paintings are to be taken as symbolizing mortality, the transience of earthly life, and the power of God, and as messages that range from the mildly moralizing to the firmly didactic. How explicit and consistent the symbolizing process was intended to be is a much thornier matter, but anyone who has more than a passing acquaintance with Dutch literature or with the kinds of images used in illustrated books (above all emblem books) will recognize how pervasive was the habit of investing ordinary objects and familiar scenes with meanings that go beyond their surface and outward appearance. In the mid-1960s, Eddy de Jongh published an extraordinary array of material —especially from the emblem books and vernacular literature—that confirmed the unreliability of taking Dutch pictures at surface value alone.
The major difficulty, however, with the findings of critics such as de Jongh is that it is not easy to assess the multiplicity of levels in which Dutch viewers interpreted these picture. De Jongh’s followers typically regard the pictures as purely symbolic. Not every object within Dutch paintings need be interpreted in terms of the gloss given to its equivalent representation in the emblem books. Not every foot warmer is to be interpreted in terms of the foot warmer in Roemer Visscher’s Sinnepoppen of 1614;
not every bridle is an emblem of restraint (though many were indeed just that)
. To maintain as Brown does, that the two children in Netscher’s painting A Lady Teaching a Child to Read “stand for industry and idleness” is to fail to understand that the painting has a variety of possible meanings, even though the picture undoubtedly carries unmistakable symbolic meanings, too. Modern art historians may well find the discovery of parallels between a painting and a specific emblem exciting; they may, like seventeenth-century viewers, search for the double meanings that lie behind many paintings. But seventeenth-century response can hardly be reduced to the level of formula. To suggest otherwise is to imply a laboriousness of mental process that may well characterize modern interpretations of seventeenth-century Dutch art, but that was, for the most part, not characteristic in the seventeenth century. [br] The passage suggests which of the following about emblem books in seventeenth-century Holland?
选项
A、They confirm that seventeenth-century Dutch paintings depict some objects and scenes rarely found in daily life.
B、They are more useful than vernacular literature in providing information about the symbolic content of seventeenth-century Dutch painting.
C、They have been misinterpreted by art critics, such as de Jongh, who claim seventeenth-century Dutch paintings contain symbolic meaning.
D、They are not useful in interpreting seventeenth-century Dutch landscape painting.
E、They contain material that challenges the assumptions of late nineteenth-century critics about seventeenth-century Dutch painting.
答案
E
解析
符号学书籍对应的一定是象征含义,而这和19世纪的解读相反,因此选项E正确。A项符号学书籍证实的是荷兰绘画有象征含义。B项根据第一段第六句,符号学书籍和方言文学是平行并列关系,没说谁比谁更有用。C项根据第一段第六句,这些符号书籍是德容所利用的,不可能被德容误解。D项文中未提及。
转载请注明原文地址:https://tihaiku.com/zcyy/3963936.html
相关试题推荐
Inthelatenineteenthcentury,artcriticsregardedseventeenth-centuryDut
Aprimaryvalueinearlytwentieth-centuryModernistarchitecturaltheorywa
Aprimaryvalueinearlytwentieth-centuryModernistarchitecturaltheorywa
Awidespreadconcerninearlyeighteenth-centuryBritainthattheinstitutio
Awidespreadconcerninearlyeighteenth-centuryBritainthattheinstitutio
Historian:Plato,writinginthefourthcenturyB.C.,describesanislan
Themostdramaticchangesthattookplaceduringtheseventeenthcenturyin
Themostdramaticchangesthattookplaceduringtheseventeenthcenturyin
Manypeopleareoptimisticaboutthe21stcentury,andtheyseeitasanopp
READINGHavinganabundanceofstuffisasymptomof21stCenturymaterialis
随机试题
WhataspectofNorthAmericadoesthepassagemainlydiscuss?[br]Theword"enh
TheLarsenBiceshelfcoveredmorethan3,000squarekilometersandwas(36
TheAlzheimer’sAssociationandtheNationalAllianceforCaregivingest
甲公司为上海证券交易所上市的公司,2021年发生了如下有关金融工具的相关业务:
根据票据与支付结算法律制度的规定,下列账户中实行核准制度的有()。A.基本存款账
患儿男,7岁。反复咳嗽3年余伴气短,进行性呼吸困难1个月。患儿病前无明显诱因,起
商业银行()对贷款损失准备管理制度及其重大变更进行审批,并对贷款损失准备管理
根据站用变验收细则:站用变引线接线端子的接触面应镀锡,200kVA及以上站用变低
在以账面价值计量的非货币性资产交换会计处理中,在不支付补价的情况下没有交换损益,
三相感应电动机定子绕组,Δ接法,接在三相对称交流电源上,如果有一相断线,在气隙中
最新回复
(
0
)