首页
登录
职称英语
My writing was to develop topics and themes from my Native American backgrou
My writing was to develop topics and themes from my Native American backgrou
游客
2024-06-03
17
管理
问题
My writing was to develop topics and themes from my Native American background. The experience in my village of Deetziyamah and Acoma Pueblo was readily accessible. My mother was a potter of the well-known Acoma clayware. My father carved figures from wood and did headwork. This was not unusual, as Native American people know; there was always some kind of artistic endeavor that people set themselves to, although they did not necessarily articulate it as "Art" in the sense of Western civilization. One lived and expressed an artful life, whether it was in ceremonial singing and dancing, architecture, painting, speaking or in the way one’s social-cultural life was structured. I did so because this was my identity, the substance of who I was, and I wanted to write about what that meant. My desire was to write about the integrity of a Native American identity.
To a great extent my writing has a natural political-cultural bent simply because I was nurtured intellectually and emotionally with an atmosphere of Native American resistance. The Acoma Pueblo, despite losing much of their land and surrounded by a foreign civilization, have not lost sight of their native heritage. This is the factual case with most other Native American peoples, and the clear explanation for this has been the fight-back we have found necessary to wage. At times, in the past, it was outright-armed struggle; currently, it is often in the legal arena, and it is in the field of literature. In 1981, when I was invited to the White House for an event celebrating American poets and poetry, I did not immediately accept the invitation, I questioned myself about the possibility that I was merely being exploited as an Indian, and I hedged against accepting. But then I recalled, the elders going among our people in the poor days of the 1950s, asking for donations--a dollar here and there, a sheep, perhaps a piece of pottery--in order to finance a trip to the nation’s capital, to demand justice, to reclaim lost land even though there was only spare hope they would be successful. I went to the White House realizing that I was to do no less than they and those who had fought n the Pueblo Revolt of 1680, and I read my poems and sang songs that were later described as "guttural" by a newspaper. I suppose it is more or less understandable why such a view of Native American literature is held by many, and it is also clear why there should be a political stand taken in my writing and those of my sister and brother Native American writers.
The 1960s and afterward have been a invigorating and liberating period for Native American people. It has been only a little more than twenty years since Native American writers began to write and publish extensively, but we are writing and publishing more and more; we can only go forward. We come from an ageless, continuing oral tradition that informs us of our values, concepts, and notions as native people, and it is amazing how much of this tradition is ingrained so deeply in our contemporary writing, considering the brutal efforts of cultural repression that was not long ago outright U. S. policy. We were not to speak our languages, practice our spiritual beliefs, or accept the values of our past generations; and we were discouraged from pressing for our natural rights as Native American human beings. In spite of the fact that there is to some extent the same repression today, we persist and insist on living, believing, hoping, loving, speaking and writing as Native Americans. [br] The author the quoted word "guttural" (Para. 2) to ______.
选项
A、communicate the newspaper’s lack of understanding and respect for the author’s presentation
B、describe most accurately how the author felt about his White House reading of his poems
C、emphasize the dramatic effect on the White House audience of the author’s reading of his poems and performance of traditional Pueblo songs
D、convey the sound of the Acoma Pueblo language to readers who are unfamiliar with it
答案
A
解析
推断题。文章通篇讲述美洲土著人及其作家为保持自己的文化传统所做的不屈斗争,由此可见,土著人和主流社会之间存在价值观、文化观乃至政治立场的冲突。第二段最后两句又说明:许多人对土著文学持有诸如前文所提到的报纸上的观点以及土著作家的作品总带有政治立场的原因都是可以理解的。由此可知,“guttural”很有可能表示报纸对土著文学的蔑视。故正确答案为A项。
转载请注明原文地址:https://tihaiku.com/zcyy/3617853.html
相关试题推荐
ThedevelopmentofjazzcanbeseenaspartofthelargercontinuumofAmeric
ThedevelopmentofjazzcanbeseenaspartofthelargercontinuumofAmeric
ThedevelopmentofjazzcanbeseenaspartofthelargercontinuumofAmeric
[originaltext]M:Hi,Mary.Doyouwanttostartwritingalabreportafterwef
[originaltext]M:Hi,Mary.Doyouwanttostartwritingalabreportafterwef
ABriefHistoryofAmericanAnti-SmokingCampaigns
ABriefHistoryofAmericanAnti-SmokingCampaigns
ABriefHistoryofAmericanAnti-SmokingCampaigns
ABriefHistoryofAmericanAnti-SmokingCampaigns
ABriefHistoryofAmericanAnti-SmokingCampaigns
随机试题
Readingisanimportantskillthatneedstobedevelopedinchildren.Noton
AccordingtotheEconomicDevelopmentCorporalonofLosAngelesCounty,ifone
IP协议是指网际协议,它对应于开放系统互联参考模型中的哪一层?()A.物理层
1岁男儿,因长期腹泻引起营养性缺铁性贫血,近半个月来患支气管肺炎。血象:Hb50
中国营养学会推荐0~6个月的婴儿脂肪摄入量应占总能量的( )。A.25%~30
根据《义务教育美术课程标准(2011年版)》评价建议,简述美术课程评价的功能
银行接受抵押品后,将根据抵押品面值的一定比例决定贷款的金额,这一比例的高低,取决
A.龙胆泻肝汤 B.当归饮子 C.消风散 D.桃红四物汤 E.竹叶石膏汤
心经的络穴是A.少府 B.神门 C.阴郄 D.灵道 E.通里
由12对数据(xi,yi),i=1,2,…,12,算得Lxx=165
最新回复
(
0
)