首页
登录
职称英语
McClary’s position, concerning the process by which music is gendere
McClary’s position, concerning the process by which music is gendere
游客
2024-01-11
46
管理
问题
McClary’s position, concerning the process by which music is gendered as
masculine or feminine, is that socially-grounded codes are "composed into" the
music, that they are immanent to the text, there to be discovered. McClary has
Line traced narratives of power and sexual differences in sonata forms by mapping
(5) the gendered terms in which theorists have described them onto pieces which
variously appear to enact or resist such constructions.
Rieger has likewise traced the inchoate differentiation of musical affects by
gendered characters in late-eighteenth-century opera, and charted their much
heightened divergence in contemporary film music. Both of these approaches
(10) share a common assumption of a degree of awareness of such gendered codes at
the point of composition, an awareness which, if not fully reflective, at least
shows a composer’s "practical consciousness" of how musical expression works
within his or her culture. This conception permits music to participate fully in
cultural processes, thereby allowing us to bring cultural contexts to bear in our
(15) explanatory models of musical styles and forms, but its critics rightly argue that
it carries an extreme risk: it is all too easy for this approach to re-inscribe the
values it would aim to critique. We may accuse McClary of adopting the very
stereotypes she deplores, and similarly we may regard her identification of
musical difference with cultural difference to be an over interpretation, though
(20) unless we limit our focus to some extreme of the avant-garde, we must concede
that some kind of contrast between masculinity and femininity will always exist
in any music.
It is perhaps best to argue the possibility that such gender metaphors are
merely functions of our interpretational frameworks, imposed on music from the
(25) outside. Treitler describes the way in which scholars from the eighteenth to the
twentieth centuries have differentiated between Old Roman and Gregorian chant
repertories in gendered terms, and argues that these metaphors relate entirely
to a project of Western cultural supremacy, and not to any immanent musical
characteristics of the actual chants. We may make the same point about all
(30) repertories: gender is encoded not in the music, but in the critical language we
use, much like Pigmalion’s chisel, to bring the music to life. While this
position is weaker than McClary’s in an explanatory capacity-it cannot use
social values to account for why a piece was written the way it was rather than
any other, aesthetically speaking-its value is ultimately greater in that it
(35) allows us to develop fresh listening strategies which invest familiar and well-
loved music with new and arguably more positive values. Hence, it is more
attractive for the development of a politically responsible critical strategy,
though even in this respect, the position is not without shortcomings, most of
which become apparent when we examine the relationship between musical
(40) material and cultural meaning. [br] The passage supplies information for answering all of the following questions EXCEPT
选项
A、Has the theory of musical codes inherent to musical composition allowed us to incorporate cultural contexts in criticism?
B、Does the notion that gender metaphors are functions of interpretational frameworks carry any shortcomings?
C、Does McClary’s theory of the immanence of gender in musical codes carry any sort of risk?
D、What are the substantive differences between the ways that Roman and Gregorian musical chants employ gender codes?
E、In which musical forms, besides late-nineteenth-century-opera, has gender difference in musical codes been observed?
答案
D
解析
转载请注明原文地址:https://tihaiku.com/zcyy/3353892.html
相关试题推荐
TheBusinessPermitOfficeinPlainsCountyclaimsthatithasreducedprocessin
Althoughtheprevailingsuppositionhasbeenthatitistoohotformicroorganis
Extinctionisaprocessthatcandependonavarietyofecological,geographical
Whilelargerbankscanaffordtomaintaintheirowndata-processingoperations,
Thetechnicalterm"pagination"isaprocessthatleaveseditors,insteadofpri
Theonlywayforgrowerstosalvagefrozencitrusistoprocessthemquicklyint
Oncepositionedinspace,theHubbleSpaceTelescopewillcapturelightfromsou
IntheUnitedStates,tradeunionsencounteredfarmoreintenseoppositionagain
Automationhasunderminedthetraditionalpositionoflaborasmuchbyrobbingw
Itwasoncebelievedthatthebrainwasindependentofmetabolicprocesseso
随机试题
[originaltext](13)Scientistswhostudytheearthtellusthatthecontinents
Manypeoplebelievetheglarefromsnowcausessnowblindness.Yet,darkgla
(1)Atacertainseasonofourlifeweareaccustomedtoconsidereveryspot
A.胀痛 B.搏动性疼痛 C.电击样痛 D.深部钝痛 E.刺痛良性颅内压
关于人工流产,正确的是A、妊娠10~14周行吸宫术 B、妊娠10周行钳刮术
老王围着边长为50米的正六边形的草地跑步,他从某个角点出发,按顺时钟方向跑了50
通常被大型房地产企业所采用,房地产投资信托基金也常采用的模式是( )。A、开发—
下列不属于竞争导向定价法的是( )。A.领导定价法 B.挑战定价法 C.随
犯罪中止可以发生在A.犯罪的预备阶段 B.犯罪的实行阶段 C.犯罪行为尚未实
关于项目管理规划大纲作用的说法,错误的是()。A:作为全过程项目管理的方向和纲领
最新回复
(
0
)