Mary Shelley herself was the first to point to her fortuitous immer

游客2024-01-11  17

问题         Mary Shelley herself was the first to point to
     her fortuitous immersion in the literary and scien-
     tific revolutions of her day as the source of her
Line novel Frankenstein. Her extreme youth, as well as
(5) her sex, have contributed to the generally held
    opinion that she was not so much an author in her
    own right as a transparent medium through which
    passed the ideas of those around her. "All Mrs.
    Shelley did," writes Mario Praz, "was to provide
(10) a passive reflection of some of the wild fantasies
    which were living in the air about her."
        Passive reflections, however, do not produce
    original works of literature, and Frankenstein, if
    not a great novel, was unquestionably an original
(15) one. The major Romantic and minor Gothic tradi-
    tion to which it should have belonged was to the
    literature of the overreacher: the superman who
    breaks through normal human limitations to defy
    the rules of society and infringe upon the realm of
(20) God. In the Faust story, hypertrophy of the indi-
    vidual will is symbolized by a pact with the devil.
    Byron’s and Balzac’s heroes; the Wandering Jew;
    the chained and unchained Prometheus: all are
    overreachers, all are punished by their own
(25) excesses—by a surfeit of sensation, of experi-
    ence, of knowledge and, most typically, by the
    doom of eternal life.
       But Mary Shelley’s overreacher is different.
    Frankenstein’s exploration of the forbidden
(30) boundaries of human science does not cause the
    prolongation and extension of his own life, but
    the creation of a new one. He defies mortality not
    by living forever, but by giving birth. [br] According to the author, Frankenstein parts from the traditional figure of the overreacher in

选项 A、his exaggerated will
B、his atypical purpose
C、the excesses of his method
D、the inevitability of his failure
E、his defiance of the deity

答案 B

解析
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