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  3. The Concept of Style Style may be defined as the characte

The Concept of Style Style may be defined as the characte

游客2024-01-04  43
问题                    The Concept of Style
    Style may be defined as the characteristic manner of presentation of any art form. We distinguish between the style of a novel and that of an essay, between the style of a cathedral and that of a palace. The word may also indicate the creator’s personal manner of expression—the distinctive flavor that sets one artist apart from all others. Thus we speak of the literary style of Dickens or Shakespeare, the painting style of Picasso or Michelangelo, the musical style of Bach or Mozart. We often identify style with nationality, as when we refer to French, Italian, or German style; or with an entire culture, as when we contrast a Western musical style with one of China, India, or some other region.   It is the difference in the treatment of the elements of music that makes one musical work sound similar to or different from another. We have seen that western music is largely a melody-oriented art based on a particular musical system from which the underlying harmonies are also built. Relatively speaking, rhythm and meter in western music are based on simpler principles than are melody and harmony. Music of other cultures may sound foreign to our ears and sometimes out of tune because they are based on entirely different musical systems from which they derive their melodic material and many do not involve harmony to any great extent. One important factor in these differing languages of music is the way in which the octave is divided and scales are produced. Complex rhythmic procedures and textures set some world music apart from western styles, while basic formal considerations—such as repetition, contrast, and variation—bring music of disparate cultures closer. In short, a style is made up of all the factors relating to pitch, time, timbre, and expression, creating a sound that each culture recognizes as its own.
    Since all art changes from one age to the next, one very important use of the word "style" is in connecting the various historical periods. The music of each world culture has its own style periods. Focusing on the development of western music we will find that the concept of style enables us to draw connections between musicians and their time, so that the musical work is placed in its socio-historical frame. No matter how greatly the artists, writers, and composers of a particular era may vary in personality and outlook, when seen in the perspective of time, they turn out to have certain qualities in common. Because of this, we can tell at once that a work of art—whether music, poetry, painting, sculpture, or architecture—dates from the Middle Ages or the Renaissance, from the eighteenth century or the nineteenth. The style of a period, then, is the total art language of all its artists as they react to the artistic, political, economic, religious, and philosophical forces that shape their environment.
(A)[■] Scholars will always disagree as to precisely when one style period ends and the next begins.
(B)[■] Each period leads by imperceptible degrees into the following one, dates and labels being merely convenient signposts.
(C)[■] The following outline shows the generally accepted style periods in the history of western music.
(D)[■] Each represents a concept of form and technique, an ideal of beauty, a manner of expression and performance attuned to the cultural climate of the period—in a word, a style!   350～600: Period of the Church Fathers   600～850: Early Middle Ages—Gregorian chant   850～1150: Romanesque period—development of the staff in musical notation, about 1000   1150～1450: Late Middle Ages (Gothic period)   1450～1600: Renaissance period   1600～1750: Baroque period   1725～1775: Rococo period   1750～1825: Classical period   1820～1900: Romantic period   1890～1915: Post-Romantic and Impressionist period   1910～20th century [br] Which of the sentences below best expresses the essential information in the highlighted sentence in the passage? Incorrect choices change the meaning in important ways or leave out essential information.
选项 A、The artistic, political, economic, religious, and philosophical factors of a period contribute to the formation of the style of a period as a whole.
B、The artistic, political, economic, religious, and philosophical forces of a period result in the variety of the style of different artists of a period.
C、Each period has a common style of all the artists, which is established by how the artists respond to the artistic, political, economic, religious, and philosophical forces that form their environment.
D、Every period has a style of its own, which has something to do with its artistic, political, economic, religious, and philosophical forces.
答案 C
解析 本题是句子简化题，考查的是考生不受细枝末节的干扰，理解文章中某一复杂句子所传达的基本内容的能力，即用简化的句子表达原句基本内容的能力。文中涂黑句子“The style of a period, then, is the total art language of all its artists as they react to the artistic, political, economic, religious, and philosophical forces that shape their environment”的意思为：“那么，这一时期的风格是所有艺术家的共同艺术语言。在这一时期，他们对形成他们的环境的影响力，艺术的、政治的、经济的、宗教的以及哲学的，作出反应。”其核心意思是选项C，即“每个时期都有艺术家自己共同的风格，是由艺术家对形成他们生存环境的艺术、政治、经济、宗教以及哲学的各个因素所作出的反应来确定的”，因此选C项。
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