首页
登录
职称英语
When Dance Speaks the Unspoken and No Language Is Required
When Dance Speaks the Unspoken and No Language Is Required
游客
2024-01-01
28
管理
问题
When Dance Speaks the Unspoken and No Language Is Required
当舞蹈说出没有说出的话,就无需语言了
A complete dancer today, is well trained in more than one discipline. The European dance scene has seen a rebirth of the influence of Spanish dance with the fusion of Flamenco and Classical Spanish Dance with other styles. The excitements of these fusions are very present in the Bay Area, which is America’s hotbed of Flamenco.
This heat wave of creation, arrived last summer in Walnut Creek with the premiere concert season of Carolina Lugo’s Brisas de Espa—a Flamenco Dance Company. Carolina’s company not only presents the powerful intense energy of solo flamenco but the grace and joy of classical dances. She herself was trained in classical Spanish dance, which is a world apart from the introverted nature of flamenco, with its familiar roots of the earth. What ballet gives to both her traditions, is the physical strength of movement that seeks light and takes to the air. Perhaps, where these very different traditions flow within her blood we have the true creative force of Ms. Lugo’s work. Each tradition is like a river joining to form an even more powerful force with its own life. During a rehearsal in preparation for Brisas appearance with the Eagles, Clint Black, and Bruce Hornsby at the benefit concert for Tony La Russa’s Animal Rescue Foundation, Carolina explained her intense passion for dance. When a dancer is on stage, it goes without saying, they must be one with the music. Without this connection to the music, movement, and yourself, a dancer is only counting steps and performing routines. The heart of the dancer’s work is to embrace the audience with the depth of our lives and the fiery sensuality of dancing. The magic of performing is for the dancers and the audience to experience our fierce pride, love, happiness and tears. The art of Flamenco is the completeness of being, which the Gypsies of
Spain refer to as "duende", the possession of the sole. This quality, when it present, casts a spell over the audience and everyone becomes involved.
The gift of the modern age is that with the speed of travel and communications we are able to emerge in the changes of the world’s cultures. Intemational artist Manuel Manolo Betanzos will be returning from a world tour for a month of performances and dance workshops with the company. Carolina believes that Manolo’s fused style of dance makes him one of Spain’s best dancers. He was trained in the earthy traditions of flamenco and the elegance of classical Spanish dance by many of the greatest maestros in Spain. His commanding presence on stage last summer earned him the admiration of local dance fans. Pepe Haro also from Spain will join the company as guest guitarist. His playing and musical arrangements bring power to every chord, shading and singing melodic line and above all, a rich rhythmic pulse.
Exploring the emotions and feelings of flamenco has been a profound journey for Carolina. She was recently awarded a grand from the Diablo Regional Arts Association to further her own exploration of dance fusion and will collaborate for this year’s performance with Brazilian Samba Queen, Katia Vaz. Carolina will present the World Premier of Dance Without Borders (Bailes Sin Fronteras). She promises that this work will be a moment, when dance speaks the unspoken and no language is required, only the passion to dance free of limitations. Both Spanish and Brazilian music and dance are diverse and represent a vast m lange of cultural similarities and differences. The emotions of life are the fundamental pieces of both dance traditions. Carofina and Katia, will be joined by Carolina Acea, daughter of Carolina an American original whose style has been influenced by both traditions. The music will be sung both in Spanish and Portuguese by Roberto Zamora and Patricia Velasquez. Carolina explains that the artistic essence of both Flamenco and Samba is their expression of a gamut of feelings about life, embodied with an attitude. [br] The performances by Carolina’s company are described as______.
选项
A、a mixture of different dances
B、a creation on the dance scene
C、a rebirth of mixed disciplines
D、a hotbed of Flamenco
答案
B
解析
转载请注明原文地址:https://tihaiku.com/zcyy/3324184.html
相关试题推荐
PARINGONCAMPUSApermitisrequiredforallstudentsw
Accordingtothepassage,theinventorsofwrittenlanguageinMesopotamiawere
Accordingtothepassage,theinventorsofwrittenlanguageinMesopotamiawere
Accordingtothepassage,theinventorsofwrittenlanguageinMesopotamiawere
Accordingtothepassage,theinventorsofwrittenlanguageinMesopotamiawere
Accordingtothepassage,theinventorsofwrittenlanguageinMesopotamiawere
Somepeoplesaythatphysicalexerciseshouldbearequiredpartofeverysc
Somepeoplebelievethatuniversitystudentsshouldberequiredtoattendcl
Humanlanguageputsanumberofsoundstogether______A、formwordsB、toformword
Somepeoplebelievethatuniversitystudentsshouldberequiredtoattendclasse
随机试题
【B1】[br]【B11】[audioFiles]audio_eufm_j61_007(20082)[/audioFiles]ifthedogis
After1970,thiscountry’seducationcametoturntoanewwayof______allfore
水泥砂浆的主要胶结料是()。A.普通硅酸盐水泥 B.聚醋酸乙烯 C.石灰
公民在遗书中涉及其死后个人财产处分的内容,确为死者真实意思表示,有本人签名并注明
甲公司2021年实现利润总额1000万元,本年度发生应纳税暂时性差异100万元,
如图所示梁的正确挠曲线大致形状为( )。 A.(b)(d) B.(b)(c
对于因人民法院行使审判监督权启动的再审,下列说法不正确的有:()A.作出原审生
一住店客人未付房钱即想离开旅馆去车站。旅馆服务员揪住他不让走,并打报警电话。客人
对于竣工结算的计算,工程量清单计价法通常采用单价合同的合同计价方式,竣工结算的编
进行浅埋暗挖施工方案的选择应考虑的因素有()。A、适合于所有地层 B、工程设
最新回复
(
0
)