首页
登录
职称英语
We can engage ourselves with music as a composer, performer, or listener. As
We can engage ourselves with music as a composer, performer, or listener. As
游客
2023-12-21
46
管理
问题
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. 【C2】______, for example, is not meant to be listened to intently. We have all used music as background sound to create 【C3】______ for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create【C4】______, and we may deliberately turn off the music, so as to【C5】______.
There are other times when music is【C6】______, and we give it our full attention. This could be in a church, at a special event, or【C7】______. But how are we supposed to listen to a piece of music? There are different ways to【C8】______. Some people let the sounds wash over them like a sonic bath, 【C9】______. This is the sensuous level. Other listeners respond on a【C10】______level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and【C11】______to form an expressive composition. The first level of attending to music is【C12】______: the second, analytical. The perceptive level 【C13】______. Ideally, we learn to listen more perceptively in order to 【C14】______. Perceptive listening allows us to enjoy the music more fully by revealing【C15】______.
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is【C16】______. At other times, listening to concert music, or even folk music can be 【C17】______. This is particularly the case if we want to【C18】______in the music as they occur. The ultimate experience is being so【C19】______that we lose ourselves in it. Time may appear to stop, and【C20】______. [br] 【C15】
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to music with different levels of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. Elevator or telephone music, for example, is not meant to be listened to intently. We have all used music as background sound to create a pleasant atmosphere for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create a dreamlike haze, and we may deliberately turn off the music, so as to concentrate on the driving.
There are other times when music is the center of our focus, and we give it our full attention. This could be in a church, at a special event, or at an orchestra concert. Rut how are we supposed to listen to a piece of music? There are different ways to experience the melody. Some people let the sounds wash over them like a sonic bath, an emotional flood. This is the sensuous level. Other listeners respond on a perceptive or analytical level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and how they accumulate to form an expressive composition. The first level of attending to music is purely emotive: the second, analytical. The perceptive level raises our awareness . Ideally, we learn to listen more perceptively in order to increase the emotional impact. Perceptive listening allows us to enjoy the music more fully by revealing the expressive power of the composition .
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is performing out-of-doors. At other times, listening to concert music, or even folk music can be serious and intense. This is particularly the case if we want to comprehend and appreciate all the events in the music as they occur. The ultimate experience is being so caught up in the music that we lose ourselves in it. Time may appear to stop, and our spirit is transformed.
选项
答案
the expressive power of the composition.
解析
转载请注明原文地址:https://tihaiku.com/zcyy/3293611.html
相关试题推荐
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Acasualemployeeisonewhoisengagedandpaidbyagreementbetweentheemploy
Acasualemployeeisonewhoisengagedandpaidbyagreementbetweentheemploy
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
Wecanengageourselveswithmusicasacomposer,performer,orlistener.As
随机试题
LouisdeBernieres’Corelli’sMandolinisoneofthemostcharming,accomplis
[originaltext]Goodevening.Iknowmanyofyoustudentsaretheproudowne
EmployeesintheUSarepaidfortheirtime.Thismeansthattheyaresupposedt
严重危险级单具灭火器最小配置灭火级别在固体类火灾场所灭火器的最低配置基准为()
证券评级机构从事证券评级业务,应当遵循()原则,对统一类评级对象评级,或者对统一
关于煎煮过程中药材浸泡的说法错误的是A:煎药前饮片浸泡有利于有效成分的浸出B:
下列关于建设项目的各项工程的从属关系,表述有误的是( )。A:单位工程是单项工
《城市国有土地使用权出让转让规划管理办法》规定了有关主管部门的指导工作,下列说法
培养自尊心的先决条件是重要感、成就感和( )A.需要感 B.有力感 C.安
A.应当具备执业药师资格 B.应当具有药学或者医学、生物、化学等相关专业学历或
最新回复
(
0
)