首页
登录
职称英语
"A writer’s job is to tell the truth," said Hemingway in 1942. No other writ
"A writer’s job is to tell the truth," said Hemingway in 1942. No other writ
游客
2023-12-15
25
管理
问题
"A writer’s job is to tell the truth," said Hemingway in 1942. No other writer of our time had so fiercely asserted, so pugnaciously defended or so consistently exemplified the writer’s obligation to speak truly His standard of truth-telling remained, moreover, so high and so rigorous that he was ordinarily unwilling to admit secondary evidence, whether literary evidence or evidence picked up from other sources than his own experience. "I only know what I have seen," was a statement which came often to his lips and pen. What he had personally done, or what he knew unforgettably by having gone through one version of it, was what he was interested in telling about. This is not to say that he refused to invent freely. But he always made it a sacrosanct point to invent in terms of what he actually knew from having been there.
The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it .was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway’s conception of its meaning subtly changed several times in the course of his career--always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments; the sense of place the sense of fact and the sense of scene.
The first of these, obviously a strong passion with Hemingway is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing." You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have s carefully charted out she geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner café… Or when, at around six o’ clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring.
"When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up street toward the bullring and behind them came more men running faster, and then some stragglers who ere really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together."
This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seem from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running." Brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls-closing the design, except of course for the man in the gutter making himself, like the designer’s initials, as inconspicuous as possible. [br] According to the author, Hemingway’s primary purpose in telling a story was ______.
选项
A、to construct a well-told story that the reader would thoroughly enjoy.
B、To construct a story that would reflect truths that were not particular to a specific historical period
C、To begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been"
D、To report faithfully reality as Hemingway had experienced it.
答案
D
解析
作者引用海明威的原句开头,作家的工作就是呈现事实。第二段的第一句说海明成写作的首要任务就是忠实于事实。通读全文,文中还有很多这样的字眼。由此可知,D是正确的。
转载请注明原文地址:https://tihaiku.com/zcyy/3276134.html
相关试题推荐
______wasNOTwrittenbyHemingway.A、LightinAugustB、TheSunalsoRisesC、AF
Afterhavingassuredtheirreturnjourney,thewriterandhiscompanioncould
Afterhavingassuredtheirreturnjourney,thewriterandhiscompanioncould
Afterhavingassuredtheirreturnjourney,thewriterandhiscompanioncould
Afterhavingassuredtheirreturnjourney,thewriterandhiscompanioncould
Afterhavingassuredtheirreturnjourney,thewriterandhiscompanioncould
Thetwomodernwriterswhoseinfluenceonyoungnovelistshasbeenmostperva
Thetwomodernwriterswhoseinfluenceonyoungnovelistshasbeenmostperva
WhowastheonlygoodwriterofAmericainthecolonialperiod?A、JohnCotton.B、
ThomasHardy’simpulsesasawriter,allofwhichheindulgedinhisnovels,
随机试题
[originaltext]WhatcanIdoforyou,sir?[/originaltext][originaltext]Canyou
Peopleinsunny,outdoorsystates—Louisiana,Hawaii,Florida—saytheyareth
[originaltext]Mr.W.:Goodmorning,Mr.Pitt.Dositdown.Mr.Pitt:Thankyou.
【教学过程】 环节一:课堂导入 教师通过复习导入,提问:磁感应强度表示的意义。学生可以回答:磁感应强度描述了磁场中某一点的强弱和方向,磁场越强,磁感线越密,
消防控制室图形显示装置在与电气火灾监控设备之间不能正常通信时,应在()s内发出
新中国成立后第一个新闻职业道德条例是()A.《记者行为准则》 B.《记者守则》
分部分项工程项目综合单价组成不包括()。A.人工费 B.材料费 C.管理费
某220kV互感器新设备投运前氢气为()μL/L时不符合投运要求。(A)20
甲、乙、丙、丁四人对四个抽屉中的物品进行预测。甲:有些抽屉中没有书本;乙:所有抽
以承受轴向压力为主的结构有()。A.拱式结构 B.悬索结构 C.网架结构
最新回复
(
0
)