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  3. Necessary meditations on the actual, including the mean bread-and-cheese que

Necessary meditations on the actual, including the mean bread-and-cheese que

游客2023-12-12  38
问题     Necessary meditations on the actual, including the mean bread-and-cheese question, dissipated the phantasmal for a while, and compelled Jude to smother high thinkings under immediate needs. He had to get up, and seek for work, manual work; the only kind deemed by many of its professors to be work at all.
    Passing out into the streets on this errand he found that the colleges had treacherously changed their sympathetic countenances: some were pompous; some had put on the look of family vaults above ground; something barbaric loomed in the masonries of all. The spirits of the great men had disappeared.
    The numberless architectural pages around him he read, naturally, less as an artist-critic of their forms than as an artizan and comrade of the dead handicraftsmen whose muscles had actually executed those forms. He examined the mouldings, stroked them as one who knew their beginning, said they were difficult or easy in the working, had taken little or much time, were trying to the arm, or convenient to the tool.
    What at night had been perfect and ideal was by day the more or less defective real. Cruelties, insults, had, he perceived, been inflicted on the aged erections. The condition of several moved him as he would have been moved by maimed sentient beings. They were wounded, broken, sloughing off their outer shape in the deadly struggle against years, weather, and man.
    The rottenness of these historical documents reminded him that he was not, after all, hastening on to begin the morning practically as he had intended. He had come to work, and to live by work, and the morning had nearly gone. It was, in one sense, encouraging to think that in a place of crumbling stones there must be plenty for one of his trade to do in the business of renovation. He asked his way to the workyard of the stone-mason whose name had been given him at Alfredston; and soon heard the familiar sound of the rubbers and chisels.
    The yard was a little centre of regeneration. Here, with keen edges and smooth curves, were forms in the exact likeness of those he had seen abraded and time-eaten on the walls. These were the ideas in modern prose which the lichened colleges presented in old poetry. Even some of those antiques might have been called prose when they were new. They had done nothing but wait, and had become poetical.
    How easy to the smallest building; how impossible to most men.
    For a moment there fell on Jude a true illumination; that here in the stone yard was a centre of effort as worthy as that dignified by the name of scholarly study within the noblest of the colleges. But he lost it under stress of his old idea. He would accept any employment which might be offered him on the strength of his late employer’s recommendation; but he would accept it as a provisional thing only. This was his form of the modern vice of unrest.
    Moreover he perceived that at best only copying, patching and imitating went on here; which he fancied to be owing to some temporary and local cause. He did not at that time see that medievalism was as dead as a fern-leaf in a lump of coal; that other developments were shaping in the world around him, in which Gothic architecture and its associations had no place. The deadly animosity of contemporary logic and vision towards so much of what he held in reverence was not yet revealed to him.
    Having failed to obtain work here as yet he went away, and thought again of his cousin, whose presence somewhere at hand he seemed to feel in wavelets of interest, if not of emotion. How he wished he had that pretty portrait of her! At last he wrote to his aunt to send it. She did so, with a request, however, that he was not to bring disturbance into the family by going to see the girl or her relations. Jude, a ridiculously affectionate fellow, promised nothing, put the photograph on the mantel-piece, kissed it—he did not know why—and felt more at home. She seemed to look down and preside over his tea. It was cheering—the one thing uniting him to the emotions of the living city. [br] The statement "How easy to the smallest building; how impossible to most men." (Para. 6) probably means
选项 A、it’s easier to renovate a building than transform men.
B、buildings just stand there but men have to make a living.
C、men have to make effort to be worthy and outstanding.
D、men can’t be as poetical as buildings to a certain degree.
答案 C
解析 语义题。由题干直接定位至第六段。在指出“Even some of those antiques might have been called prose when they were new．They had done nothing but wait，and had become poetical．”之后，作者提到本句，是对前面内容的总结，从“done nothing but wait，and had become poetical”的结果可以判断，作者感叹这些物品变得美轮美奂比较容易，但对人来说就比较难了，结合前面提到的裘德在为生存而奔波，可以得出[C]项结论。
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