首页
登录
职称英语
The earliest controversies about the relationship between photography and ar
The earliest controversies about the relationship between photography and ar
游客
2023-11-07
26
管理
问题
The earliest controversies about the relationship between photography and art centered on whether photograph’s fidelity to appearances and dependence on a machine allowed it to be a fine art as distinct from merely a practical art. Throughout the nineteenth century, the defence of photography was identical with the struggle to establish it as a fine art. Against the charge that photography was a soulless, mechanical copying of reality, photographers asserted that it was instead a privileged way of seeing, a revolt against commonplace vision, and no less worthy an art than painting.
Ironically, now that photography is securely established as a fine art, many photographers find it pretentious or irrelevant to label it as such. Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, exploring themselves—anything but making works of art. They are no longer willing to debate whether photography is or is not a fine art, except to proclaim that their own work is not involved with art. It shows the extent to which they simply take for granted the concept of art imposed by the triumph of Modernism: the better the art, the more subversive it is of the traditional aims of art.
Photographers’ disclaimers of any interest in making art tell us more about the harried status of the contemporary notion of art than about whether photography is or is not art. For example, those photographers who suppose that, by taking pictures, they are getting away from the pretensions of art as exemplified by painting remind us of those Abstract Expressionist painters who imagined they were getting away from the intellectual austerity of classical Modernist painting by concentrating on the physical act of painting. Much of photography’s prestige today derives from the convergence of its aims with those of recent art, particularly with the dismissal of abstract art implicit in the phenomenon of Pop painting during the 1960’s. Appreciating photographs is a relief to sensibilities tired of the mental exertions demanded by abstract art. Classical Modernist painting—that is, abstract art as developed in different ways by Picasso, Kandinsky, and Matisse—presupposes highly developed skills of looking and a familiarity with other paintings and the history of art. Photography, like Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.
Photography, however, has developed all the anxieties and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the promotion of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity—in short, an art. [br] How did the nineteenth-century defenders of photography stress the photography?
选项
A、It was a means of making people happy.
B、It was art for recording the world.
C、It was a device for observing the world impartially.
D、It was an art comparable to painting.
答案
D
解析
细节题。题干中的at present表明本题针对摄影师现在的情况,第1段说的是过去摄影师对摄影的态度,第2段说的是现在摄影师对摄影的态度,由此可见,本题答案应该在第2段中寻找。选项C与该段第3句中except to后的内容意思相近,因此选项C为本题答案。
转载请注明原文地址:https://tihaiku.com/zcyy/3167516.html
相关试题推荐
SciencewriterTomStandagedrawsaptparallelsbetweenthetelegraphandt
SciencewriterTomStandagedrawsaptparallelsbetweenthetelegraphandt
SciencewriterTomStandagedrawsaptparallelsbetweenthetelegraphandt
Theearliestcontroversiesabouttherelationshipbetweenphotographyandar
Theearliestcontroversiesabouttherelationshipbetweenphotographyandar
Accordingtothenews,therelationshipbetweenU.SandIranhadbeenhostilefo
Accordingtothenews,therelationshipbetweenU.SandIranhadbeenhostilefo
WhydidSusanandMichaelinterviewchildrenagedbetween9and11?[br][origi
WhydidSusanandMichaelinterviewchildrenagedbetween9and11?[originaltex
[audioFiles]2014m8s/audio_ezfj_379_20144[/audioFiles]InternetRelationship网络关系
随机试题
()是衡量可燃物质受热升温,形成自燃危险性的依据。A.燃点 B.自燃点
驾驶机动车在高速公路减速车道上行驶时,如遇前方有低速行驶的车辆,应伺机超车,以防
下列各物质的化学键中,只存在σ键的是()。A. B. C. D.
下列说法中,不属于引发缺氧窒息的主要原因的是()。A.有限空间长期通风不良
2.若荷载效应的基本组合由永久荷载效应控制,活荷载的组合系数ψc=0
人在每一瞬间,将心理活动选择了某些对象而忽略了另一些对象。这一特点指的是注意的(
关于银行利率风险,下列说法不正确的有()。A:如果银行利息收入和利息支出所依据的
真诚在咨询活动中的重要意义在于()。 A.可以使求助者感到被接纳、被信任 B
关于薪酬调查的说法,错误的是( )。A.薪酬调查可以解决薪酬的内部公平性问题
对于近水平巷道的掘进可选择的通风方式有()。A.压入式 B.抽出式 C.全
最新回复
(
0
)