“Museum”is a slippery word.It first mean

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问题 “Museum”is a slippery word.It first meant(in Greek)anything consecrated to the Muses:a hill,a shrine,a garden,afestival or even a textbook.Both Plato’s Academy and Aristotle’s Lyceum had a mouseion,a muses shrine.Although theGreeks already collected detached works of art,many temples—notably that of Hera at Olympia(before which the Olympicflame is still lit)—had collections of objects,some of which were works of art by well-known masters,while paintings and sculptures in the Alexandrian Museum were incidental to its main purpose.The Romans also collected and exhibited art from disbanded temples,as well as mineral specimens,exotic plants,animals;and they plundered sculptures and paintings(mostly Greek)for exhibition.Meanwhile,the Greek word had slippeD.into Latin by transliteration(though not to signify picture galleries,which were called pinacothecae)and museum still more orless meant“Muses-shrine”.The inspirational collections of precious and semi-precious objects were kept in larger churches and monasteries—whichfocused on the gold-enshrined,bejewelled relics of saints and martyrs.Princes,and later merchants,had similar collections,which became the deposits of natural curiosities:large lumps of amber or coral,irregular pearls,unicorn horns,ostrich eggs,fossil bones and so on.They also included coins and gems—often antique engraved ones—as well as,increasingly,paintings and sculptures.As they multiplied and expanded,to supplement them,the skill of the fakers grew increasingly refined.At the same time,visitors could admire the very grandest paintings and sculptures in the churches,palaces and castles;they were not“collected”either,but“site-specific”,and were considered an integral part both of the fabric of the buildings and of the way of life which went on inside them—and most of the buildings were public ones.However,during the revival ofantiquity in the fifteenth century,fragments of antique sculpture were given higher status than the work of any contemporary,so that displays of antiquities would inspire artists to imitation,or even better,to emulation;and so could be considered Muses-shrines in the former sense.The Medici garden near San Marco in Florence,the Belvedere and the Capitol in Rome werethe most famous of such early“inspirational”collections.Soon they multiplied,and,gradually,exemplary“modern”works were also added to such galleries.In the seventeenth century,scientific and prestige collecting became so widespread that three or four collectors independently published directories to museums all over the known world.But it was the age of revolutions and industry which produced the next sharp shift in the way the institution was perceived:the fury against royal and church monuments prompted antiquarians to shelter them in asylum-galleries,of which the Musee des Monuments Francais was the most famous.Then,in the firsthalf of the nineteenth century,museum funding took off,allied to the rise of new wealth:London acquired the National Gallery and the British Museum,the Louvre was organized,the Museum-Insel was begun in Berlin,and the Munich galleries werebuilt.In Vienna,the huge Kunsthistorisches and Naturhistorisches Museums took over much of the imperial treasure.Meanwhile,the decline of craftsmanship(and of public taste with it)inspired the creation of“improving”collections.TheVictoria and Albert Museum in London was the most famous,as well as perhaps the largest of them.“...the skill of the fakers grew increasingly refined” in the third paragraph means that _______.A.there was a great demand for fakers.B.fakers grew rapidly in number.C.fakers became more skillful.D.fakers became more polite.

选项 A.there was a great demand for fakers.
B.fakers grew rapidly in number.
C.fakers became more skillful.
D.fakers became more polite.

答案 C

解析本题考查猜测词义。

文中第三段谈到先是王公大臣，然后是商人掀起了古代文物收藏热，古代艺术品供不应求，刺激了赝品制造者提高仿制古代艺术品的技艺水平，达到以假乱真的目的，综上，C选项正确。

故正确答案为C项。

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中学英语学科知识与教学能力

教师资格笔试

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“Museum”is a slippery word.It first mean

中学英语学科知识与教学能力

教师资格笔试