首页
登录
职称英语
Film Exchanges in America’s Early Movie Industry 1.Motion pictu
Film Exchanges in America’s Early Movie Industry 1.Motion pictu
游客
2025-02-08
9
管理
问题
Film Exchanges in America’s Early Movie Industry
1.Motion pictures were exhibited to the public in the late 1800s, though the first device to accomplish this would seem very unfamiliar to today’s movie-going audiences.Thomas Edison’s 1893 Kinetoscope was little more than a wooden box with a small glass window. Intended only for individual viewing, it housed a roll of film, a mechanical device to circulate the film, and a small light to illuminate
it
. A person would peer through the window and watch a short moving sequence, usually just a depiction of an everyday event or the performance of an acrobat or dancer. Needless to say, the medium’s ability to serve only one customer at a time severely limited its profitability.
2.Everything changed two years later with the advent of projection, by which a much larger film image could be shown to multiple viewers simultaneously. The Lumière brothers of France were the first to introduce this new technology with a projection machine called a cinematograph. Edison was quick to follow their lead and created his Vitascope projector in late 1895. With the potential to make money by charging admission to movies now within reach, the innovators of the film industry were ready to expand their business ventures.
3.There were two industry models in practice during the early 1900s. A handful of successful firms, such as the
Biograph Company
, owned the equipment to make their own films as well as the venues in which to display them. Such companies were rare, however; most films were shown by independent exhibitors. These included traditional theater owners, who added short film presentations to their programs of live-action entertainment, and traveling cinema exhibitors, who moved from town to town to reach new audiences, often following
circuits
established by rural fairs. They typically purchased films directly from the production companies that made them, paying a set price per foot of film regardless of its content. Because movies of the time were never longer than one or two minutes, it was feasible to buy them outright.
However, this system failed to attract significant audiences as the public soon tired of the small stock of films exhibitors had to offer, and the reels of film themselves deteriorated quickly through repeated transport and screening in traveling cinema shows.
4.Things changed again when producers began increasing the length of their films in order to tell more complex stories. Longer films entailed higher prices, and it became difficult for small-scale exhibitors to purchase them. This, in turn, prevented production studios from creating as many movies as they could, since they had no one to sell them to. It was precisely this dilemma that gave rise to the film exchange. An early version of a motion-picture distributor, film exchanges were responsible for bridging the gap between production and exhibition.They financed production studios, giving them the funds they needed to film more movies. Then, they purchased these films and rented them out to exhibitors around the country for a fraction of what it would have cost the exhibitors to purchase the films themselves.
5.The film-exchange system revolutionized the industry, greatly benefiting all parties involved. A Film rentals allowed exhibitors to show a wide variety of movies and gave them constant access to new films so they could change their programs frequently.B This led to the rise of what we now know as the movie theater, a venue dedicated solely to the public exhibition of films. C Film exchanges made money by taking a percentage of ticket sales, and the production studios were paid by the exchanges,D Moreover, as a result of the increase in revenue that came as movies gained popularity, the studios began to focus on elevating the quality of their products.
6. Many historians view the development of film exchanges as the single most important factor in the transformation of the film industry from an entertainment novelty to a major business. After 1920, independent exchanges grew scarcer as a few corporations succeeded in capturing control of the production, distribution, and exhibition of films. Yet many of the practices established by film exchanges prior to the 1920s are still used today by the most successful Hollywood distributors. [br] The word it in the passage refers to
选项
A、device.
B、film.
C、window.
D、sequence.
答案
B
解析
转载请注明原文地址:http://tihaiku.com/zcyy/3947749.html
相关试题推荐
Accordingtothepassage,whydidthefirstpeoplewhocametoNorthAmericalea
Accordingtothepassage,whydidthefirstpeoplewhocametoNorthAmericalea
Accordingtothepassage,whydidthefirstpeoplewhocametoNorthAmericalea
Accordingtothepassage,whydidthefirstpeoplewhocametoNorthAmericalea
Accordingtothepassage,whydidthefirstpeoplewhocametoNorthAmericalea
NativeAmericansprobablyarrivedfromAsiainsuccessivewavesoversev
America’sWesternMigration1.AfterAmericadeclaredinde
America’sWesternMigration1.AfterAmericadeclaredinde
America’sWesternMigration1.AfterAmericadeclaredinde
America’sWesternMigration1.AfterAmericadeclaredinde
随机试题
Conventionalwisdomsaysthatitisbettertobealargecompanythanasma
下列关于长期借款的核算中错误的是( )。A.企业应当采用实际利率法,按摊余成本对
设计任务: 请阅读下面的学生信息和语言素材,设计l5分钟的阅读教学方案。教案没
理气药"降逆、止呕、止泻、镇痛"功效的重要药理学基础是A.利胆B.抑制胃肠运动C
微量元素系指其含量少于人体总重量的A.1%B.0.1%C.0.01%D.0.00
加拿大物理学家多娜·斯崔克兰是2018年诺贝尔物理学奖的获奖者之一,也是该奖项历
一般用()来衡量经济增长速度。A.名义GDP B.实际GDP C.GDP增
甲公司已进入稳定增长状态,固定股利增长率4%,股东要求的必要报酬率10%。公司最
无商业价值的广告品及货样,经海关审核无误后可以免征关税。()
建设工程施工组织方式中,平行施工方式具有的特点是( )。A.各工作队实现了专业
最新回复
(
0
)