首页
登录
职称英语
We can engage ourselves with music as a composer, performer, or listener. As
We can engage ourselves with music as a composer, performer, or listener. As
游客
2023-12-21
51
管理
问题
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to【C1】______of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. 【C2】______, for example, is not meant to be listened to intently. We have all used music as background sound to create 【C3】______ for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create【C4】______, and we may deliberately turn off the music, so as to【C5】______.
There are other times when music is【C6】______, and we give it our full attention. This could be in a church, at a special event, or【C7】______. But how are we supposed to listen to a piece of music? There are different ways to【C8】______. Some people let the sounds wash over them like a sonic bath, 【C9】______. This is the sensuous level. Other listeners respond on a【C10】______level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and【C11】______to form an expressive composition. The first level of attending to music is【C12】______: the second, analytical. The perceptive level 【C13】______. Ideally, we learn to listen more perceptively in order to 【C14】______. Perceptive listening allows us to enjoy the music more fully by revealing【C15】______.
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is【C16】______. At other times, listening to concert music, or even folk music can be 【C17】______. This is particularly the case if we want to【C18】______in the music as they occur. The ultimate experience is being so【C19】______that we lose ourselves in it. Time may appear to stop, and【C20】______. [br] 【C13】
We can engage ourselves with music as a composer, performer, or listener. As a listener, we respond to music with different levels of receptivity. We may be very casual about the way we hear music, paying almost no attention to it. Elevator or telephone music, for example, is not meant to be listened to intently. We have all used music as background sound to create a pleasant atmosphere for our own quiet thought. On the other hand, especially when we are on the road, an "easy" listening station can create a dreamlike haze, and we may deliberately turn off the music, so as to concentrate on the driving.
There are other times when music is the center of our focus, and we give it our full attention. This could be in a church, at a special event, or at an orchestra concert. Rut how are we supposed to listen to a piece of music? There are different ways to experience the melody. Some people let the sounds wash over them like a sonic bath, an emotional flood. This is the sensuous level. Other listeners respond on a perceptive or analytical level, listening to the sounds and absorbing various aspects of the music as they unfold. They listen for musical events and how they accumulate to form an expressive composition. The first level of attending to music is purely emotive: the second, analytical. The perceptive level raises our awareness . Ideally, we learn to listen more perceptively in order to increase the emotional impact. Perceptive listening allows us to enjoy the music more fully by revealing the expressive power of the composition .
Listening to classical music can often be lighthearted and easygoing. This is especially true when a symphony orchestra is performing out-of-doors. At other times, listening to concert music, or even folk music can be serious and intense. This is particularly the case if we want to comprehend and appreciate all the events in the music as they occur. The ultimate experience is being so caught up in the music that we lose ourselves in it. Time may appear to stop, and our spirit is transformed.
选项
答案
raises our awareness
解析
转载请注明原文地址:http://tihaiku.com/zcyy/3293609.html
相关试题推荐
IsraelandPalestinehadnotbeenengagedindirecttalkswitheachothersince
[originaltext]Wemayengageourselveswithmusicasacreator,thatisaco
[originaltext]Wemayengageourselveswithmusicasacreator,thatisaco
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Theearthisourhome.Wemusttakecareofit,forourselvesandforthene
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Thereisevidencetobelievethatgamblinginmanyformshasbeenengagedin
Acasualemployeeisonewhoisengagedandpaidbyagreementbetweentheemploy
Peopleareengagedineducationfrominfancyon.Education,then,isaveryb
随机试题
[originaltext]TodayI’dliketotalkaboutthesculptorHenryMoore,inpa
NewYork’sclimateisnotverysalubrious;itswintersgiveyoucolds,anditss
(1)Asmallsuccessatlastinmybattletoholdbackthetideofmicefloodi
在低于击穿电压的作用下,尖极发生局部放电的现象称为()。A.辉光放电 B
债券基金的久期与基金组合中各个债券的久期的关系是()。A.债券基金的久期等于各
阿洛索-OT属于A.阴离子型表面活性剂B.阳离子型表面活性剂C.非离子型表面活性
A药与B药相互拮抗,其原因不可能是A.在受体水平的拮抗剂与激动剂 B.在药物生
一年半之前,孙某病危时曾当着2个儿子和4位医护人员的面说:“我死后家里的一切财产
人在每一瞬间,将心理活动选择了某些对象而忽略了另一些对象。这一特点指的是注意的(
以下说法错误的是A.黄连中所含的巴马汀属于季铵型生物碱 B.苦杏仁中所含的主要
最新回复
(
0
)